Most people think I paint like Rothko because of the intimate nature of the way I apply paint to the surface. I consider my subject matter to be mythic. One might say that they’re cave paintings or shadows that are stories.

An Abstract Expressionist painter, synthesizing landscape into highly gestural compositions of strength and vulnerability. Her masterful use of color and intuitive palette have earned comparison to Joan Mitchell.

My paintings draw inspiration from the abstract language of Turkish kilims (rugs). Historically, each motif on a kilim represents a singular idea and when woven in combination with other motifs and colors, they evoke nonverbal narratives of lives lived.

I am a painter and performance artist interested in light, color, movement, form, texture and the process by which these perceptual properties accrue over time. My artistic experiences as a professional modern dancer and musician have led me to value the movements of painting.

Borrowing from popular culture, producing mixed-media paintings, photographs and sculptures through which he offers his take on Gen X and Y America. He is inspired by the 1980s and ‘90s, the decades of his youth, and by the art of appropriation.

He received his BFA from Ringling School of Art in 1979 and briefly studied at the Parsons School of Design in New York City where he resided for several years. Daniel creates energy charged landscapes and figurative paintings, which have evolved into a new generation of abstraction.

My current practice is a meditation on both image and language, considering the banalities and uncertainties of day-to-day living while activating conversations of color and form. I work to build a complementary relationship between subtlety and the written word.

Each letter, envelope or stamp is painted with many layers of acrylic paint. All the writing and fine detail work is done with archival pens. I work from real letters and memorabilia that I have gathered over many years and from all over the world.

My paintings represent the documentation of performance, poetry and sound, as a means of visually capturing the feeling of music. I’ve developed a system of musical notation incorporating layers of color, text and line to be read as a street art version of music.

My home is a cottage situated in pastoral landscape in rural Ireland close to where I grew up, with a view to a field with an almost perfect horizon line. The experience of growing up and living in this place and its surrounding nature has influenced much of my work.